A DAY IN VENICE
A Day in Venice is the solo project of Andrej Kralj, a songwriter and producer creating from his SoundSail studio in Trieste.
Active since 2013, the project blends doom, art rock, shoegaze, dream rock, gothic, and alternative. The debut, A Day in Venice (2014), introduced his atmospheric approach, followed by Singles (2018), the expansive III (2019) and the ritual-infused IV (2023). His latest full-length, A Man Without A Name (2024), merges alternative rock, doom, and gothic into a deeply personal statement.
Featured in magazines such as Rolling Stone and Metal Hammer, A Day in Venice continues to evolve with every release.
Instrument research
The King’s RS Cabinet
An original resonant instrument in development
The King’s RS Cabinet is an original resonant instrument developed within the creative world of A Day in Venice by Andrej Kralj.
Built around the relationship between vibration, resonance and material, the instrument explores sound not only as music, but as a physical and symbolic experience.
It forms part of an ongoing investigation into how sound, form and intuition can shape states of attention, movement and rest.
In development
Trieste, August 2026
Discography
A Day in Venice (2014)
Ethereal canals, dawn-lit gothic - doom metal melancholy.
Composition, performance, arrangement, production: Andrej Kralj
Singles (2017)
Standalone gothic rock shadows, intimate emotional vignettes.
Composition, performance, arrangement, production: Andrej Kralj
III (2019)
Nocturnal echoes, deeper cinematic darkness.
Composition, performance, arrangement, production: Andrej Kralj
IV (2023)
Dense twilight atmospheres, stormbound brooding introspection.
Composition, performance, arrangement, production: Andrej Kralj
Lights EP (2020)
Experimental rock.
Composition, performance, arrangement, production: Andrej Kralj
A Man Without A Name (2024)
Identity dissolves through haunting '90ies alt-rock.
Composition, performance, arrangement, production: Andrej Kralj